Even shooting on the North Shore, members of our own crew were like, ‘Girls can’t surf pipe, girls shouldn’t be out there. The Top Gun actor added that he wanted to make a movie about female surfers to counter the sexism he’d observed in the sport. I don’t think she ever quite realized the danger she got herself into.” “She went out on days where a guy would get paralyzed at the Pipeline, then she’d paddle out five minutes later. She’s insane,” Stockwell told the outlet of the Blue Crush star. The director, John Stockwell, told IGN in August 2002 that he “originally aspired to cast only surfers.” Although Bosworth was an actress rather than an athlete, she didn’t disappoint. Shot in Oahu, Hawaii, the film featured cameos from real life pro surfers including Megan Abubo, Rochelle Ballard, Layne Benchley, Keala Kennelly and Kate Skarratt. The sports movie, based on Susan Orlean’s 1998 Outside magazine article “Life’s Swell,” follows three friends out to prove that there’s a place for women in the world of competitive surfing. I think it would be great to see another location in the world and bringing the girls to a wave that otherwise is male dominated,” the I-Land star added. “There are still a few waves that the world is still unwelcoming to women surfing them. We would love to make it happen,” she told Entertainment Tonight in May 2022. “ Sanoe, Michelle and I always talk about it. Alas, nothing is gained either, and the entertainment value is subpar at best.In order to view the video, please allow Manage Cookiesĭespite the difficult period after the film first premiered, the California native thinks a Blue Crush sequel is a great idea. The plot is so straightforward and reminiscent of a thousand other crime movies that nothing will be missed. Patrons could pay it half a mind and every few minutes a loud bang, a gunshot or an actor yelling would draw attention. “The Locksmith” is the type of movie that plays well at home. Unfortunately, that plotline isn’t all that interesting, and Beth gets the same shallow details and stilted dialogue as all the other characters. She’s not just the wife or girlfriend, standing on the sidelines worried for the male lead character, nor a stereotypical damsel in distress, but an active participant in the film’s main plotline. As played by Bosworth, she’s a policewoman investigating the case. The one standout here comes in the characterization of Miller’s ex wife, Beth. Nordling, who played this kind of smarmy character to much greater success on HBO’s “Big Little Lies,” snarls his lines without indicating how this cop has the respect of his underlings who follow him without question. His part is too small to leave an impression. Rhames tries to give his character some gravitas but to no avail. He simply delivers his lines without passion and moves on. Phillippe looks like a leading man but doesn’t give this character any complexity or pathos. Their lines are said without conviction and they perform the action sequences with as much effort as the writers put into the story - the bare minimum, enough to coast through without utter embarrassment. Faced with these bland characters and rote situations, the actors are only half committed. Of course someone close to the hero has to die, and that choice is no surprise. All are choreographed without imagination and unfold as expected. To provide the thrills in this thriller, Harvard provides a couple of robberies plus a few gun shootouts. Though the script is credited to John Glosser, Joe Russo, Ben Kabialis and Chris LaMont with a story by Blair Kroeber, all those writers couldn’t fix the stock characters and lazy plotlines. The police get involved and Miller’s ex wife is assigned the case. All of these characters get entangled in the crime web of a shady real estate developer (Charlie Weber), who dabbles in illegal gambling and exploits the sex workers in his employ. Ving Rhames appears as another friend, a kind and supportive one who offers him a job. In its straightforward story, “The Locksmith” has Miller dealing with a corrupt cop (Jeffrey Nordling), as he tries to help the sister of his slain old friend (Gabriela Quezada). Nicolas Harvard’s directorial debut is a strictly-by-the numbers crime thriller, where every plotline is gleaned from a mile away. Of course he will be pulled back for one last job where things will go wrong. In the present, he reconnects with his daughter (Madeleine Guilbot) who’s in the care of her policewoman mother ( Kate Bosworth). Flash forward 10 years, and he’s out of prison. Things go wrong and his cohort gets killed. Ryan Phillippe plays the title character, Miller, introduced in the middle of a robbery. “ The Locksmith” has the right elements for a crime thriller: an ex-con seeking revenge and being chased by a vengeful cop while trying to protect his family.
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